Look behind you

Dimension: 10/15 cm

Technique:Oil on cardboard

Look behind you! Seriously, please look behind you! Ok, thank you. Now you can look at the work again and/or at the text. The pair of powerful colored frame and black space is meant to lure and intrigue the viewer. The subject of this work is not simple and it is simple. One dimension is the observed universe of which we focus on our day by day life. We see the very well details, we experience it and we measure it all the time. The other dimension is the Hidden Universe, which we don’t know but we guess it’s existence, movement and vibration. It is not hidden because of some obscure reason - it is hidden because we don’t look at it long enough. Because of that everything is possible - good, bad or neutral. Because we lack data from observation the cat can be dead and alive in the same time. But we know there is a cat. It is like short look in a dark room which we know. You know there’s an armchair, you kind of see it’s lines and you fill the rest of of details from memory. Some data you add ar right, some not.

For an artist, this happens on daily basis. We focus so much on our creation and everything else fades. But just because we don’t observe the world around us and it becomes Hidden Universe it doesn’t mean it stops.

As a final observation, in different degrees this is true to all of us:

“When you think to take determination of your fate into your own hands, that is the moment you can be crushed. Be cautious. Allow for surprises. When we create, there are always other forces at work.

– Darwi Odrade”  - Chapterhouse of Dune, by Frank Herbet

Transcendence

Dimension: 40/120 cm (trip-tic)
Technique:Oil on canvas

Transcendence - from physical plane of existence to the vibrational plane. In the first sequence we have the representation of a human in the physical world, as we know it. Then it starts a metamorphosis process and in the last sequence it transcends to the Astral world.

Gateway 2

      

         Dimension: 100/70cm
          Technique: oil on canvas

This work is a scene from the astral plane. An entity comes in contact with and object with the snail symbol and starts to remember her previous life. By getting negative emotions and getting influence from a demigod she starts to become matter once again. Some other entities are there at the scene but only one tries to stop the process.

Knockin at your door

  

   Dimension: 40/ 80 cm 
Technique: Mixed on wood support

It is a work which I would like to introduce my concept to the audience. The character in the work is a self representation as an entity staring at the audience. If I look at the work it changes its meaning - it becomes a dialogue between my myself and my view of the world around me.

Astral Selfie

                                                                   

Astral Selfie
    Dimension: 50/40cm
    Technique:Oil on canvas

A selfie of my soul - my life energy, my mind, my spirit. My astral features influence the physical ones but exact position, size, texture, color don’t have a clear meaning.

 

Melcul Rosu(the red snail)

               
 Dimensiune:20/20 cm

 Tehnica:ulei pe panza

The Red Snail is about the birth of concept snail I played with in so many of my works. It is how I discovered it as a child, in it’s natural environment. You see it as many children sees them for the first time: slowly sliding in grass in a sunny morning after a rainy night.

Pomul Invizibil(The invisible tree)

 

 Dimensiune: 50/40 cm
  Tehnica:ulei pe panza

                                      The invisible tree is a gateway or a bridge between physical and astral. The “invisibility” of the tree suggests it’s a metaphor that suggests that it belongs to both universes. When a spirit interacts with the tree it starts to gain mass and to become human.                                       

Florii psihedelice (Psychedelic flowers)

                                             

   Dimensiune:20/20 cm

   Thenica: ulei pe panza

Andreea Göröngyi

                                       

   Dimensiune:50/20 cm

    Tehnoca: ulei pe panza

My wife - girlfriend at the time this was painted - was painting a nice landscape. She was painting was she saw. I stood behind and painted herself, her work and the landscape but I saw the nature differently…

Uliul Albastru(The blue hawk)

Dimensiune: 50/40 cm

 Tehnica:ulei pe panza

A landscape over a valley and a nice forest with a massive hill dominating the view. Above all a hawk was floating like a fish in a lake.

Sustragerea lui Adam-(Adam's withdrawal)

 Tehnica: ulei pe panza

 Dimensiune:100/70cm

It’s about the bible scene where Eve convinces Adam to eat the apple.
The inspiration was Plato's androgyne  being. In the picture Adam and Eve were the same entity, a vibrational spirit who when touching the tree the action began.

Instead of apple i used the symbol of snail. To me snails are bad. The Symbolism of snail comprises: excess, contempt, indifference, salaciousness,negative influence, disease, primal instinct, contamination, and it is also an intermediary between the spiritual world and physical world. But instead of eating the snail/ apple Adam withdraws giving a whole new meaning to the episode.
By kissing the snail Eve becomes corrupt and she starts to become matter. Before that she was in an astral plane of existence and now she’s becoming a part of our reality.
The main technique I used to represent the astral world is something that I call “controlled dripping and splashing”.  

Fragment din livada rosie- (Fragment of red orchard)

 Tehnica:ulei pe panza

 Dimensiune:100/150cm

Filtre - ( Filters)

Filtru 1 

Tehnica: Mixt pe sticla

Dimensiune:30/40cm

Filtru 2

 

Filtru 3 

The group of works Filters are the result of an experimental project I used to do. I put patterns of my interpretation of the astral plane on a glass screen and used it as an interference to take photo of different people. What I wanted to pursue was a projection of their image in an astral plane in order to imagine how would they change or transform. The “astral layer” helped in creating a bridge between my concepts and people’s understanding of them and also started some meaningful conversations. On the long run it was a good study of how my technique could interact with real people: their transformation in the astral realm became instantaneous .The “real

world” and the astral plane always interact with each other.